Search
You searched for:
Start Over
Style Period
Attic (Mainland Greek pottery styles)
Remove constraint Style Period: Attic (Mainland Greek pottery styles)
« Previous | 1 - 10 of 443 | Next »
Number of results to display per page
Search Results
![[No Caption] Steven Lowenstam Collection](/thumbnails/d/5/oregondigital-df691f05d.jpg "[No Caption] Steven Lowenstam Collection")
- Description
- Pottery: black-figured oinochoe (jug). Design black on a red panel, with maeander above; accessories of white and purple. Quadriga seen from the front, the charioteer slightly bearded, with purple pilos and long white chiton, the folds indicated by wavy lines; on either side of him a small bird flying away. On the left is a male figure, bearded, with long hair, fillet, long white chiton, folds as before, and purple himation, spear in left hand. On the right is a nude beardless male figure with long tresses, purple pilos, and spear in right hand. Below the handle is painted the face of a tiger, with black markings on red, the ears in purple and white. --The British Museum
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Pottery: red-figured pelike. (a) Thetis and a Nereid bringing arms, made by Hephaistos, to Achilles who mourns Patroclus. In the centre Achilles is seated in a chair to left in a dejected attitude, closely wrapped in his mantle, which is passed over the back of his head; he holds on his left arm a knotted staff, and wears a fillet with a vertical piece over the forehead, and sandals; on the chair is a fringed and embroidered cloth; beside his head, KAΛΟΣ, καλός. Thetis, approaching from left, has thrown her arms around his neck; she wears an Ionic chiton with dotted sleeves and embroidered diploidion, bracelets, and earrings, and her hair is looped up with a radiated stephane. Behind her a Nereid stands (similar dress, large brooch fastening diploidion on right shoulder, saccos with crosses, dotted fillet, bracelets), holding a spear and a high crested helmet. On left is Athene, who from the gesture of her right appears to be speaking. She carries a spear on her left arm and wears an Ionic chiton, tied, and a himation over her shoulders, aegis with scaly surface reaching to below waist, bracelets, and a helmet with raised cheek-pieces. The cheek-pieces of this helmet are decorated with a snake moving upwards; those of the other helmet have scale pattern; and in both the crest is supported by the arched back of a snake, whose head and tail project in front and at back. On right of Achilles a woman stands to front, holding the shield which Thetis has brought (device, in silhouette, a woman to front in chiton with apoptygma, looking to left, and holding at full extent of both arms a festooned taenia); she covers her face with her right at the sight of the goddesses. She wears sleeved chiton, himation, bracelets and earrings, and an opisthosphendone. On right stands a bearded old man looking on, leaning on his staff, draped in a mantle. The earrings have triple pendants. (b) Nereids with arms, and a Greek. The Greek, wreathed, stands to left with right resting on spear, closely draped in a mantle, which passes over the back of his head. Facing him are two Nereids, one holding a cuirass (side view), the other, holding a sword in her right (the scabbard decorated with zigzags), raises with her left the edge of her chiton; the alternate flaps of the cuirass and the chape of the scabbard are black. On right a third Nereid stands to left, holding up in her right a helmet of different form; in her left a sword, hanging by its belt, drawn entirely in silhouette, and against her left arm a spear; all three wear sleeved chiton and himation; the one on left wears a radiated fillet, the next one a dotted saccos and bracelets, and the one on right a radiated fillet and bracelets. On right ΚΑΛΟΣ, καλός. Beneath the handle on left of a, an altar in form of an Ionic capital, with volutes and necking. Beneath the other handle, a square base, on which is a helmet to left, the crest ornamented with a snake in light brown. Purple fillets, inscriptions, and wreaths in b. Brown upper folds of chiton of Thetis and of two Nereids. The hair and beard of the old man and his fillet are indicated in brown outline; the hair of Achilles, in single wavy brown lines. Eye in transition type. Below, a continuous band of key pattern; above each side, a strip of linked lotus buds. On the lower part of each handle, an inverted palmette. Around the neck, and below the design, a thin line of purple. The spears overlap the border. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
5. Sack of Troy
- Description
- Pottery: black-figured amphora: the death of Priam; Priam is being battered to death with the body of his grandson Astyanax. Designs in black on red panels with interlacing lotus and honeysuckle pattern above. The sides of the handles are chequered black and red. (a) Death of Priam: In the centre is Priam fallen to right on his back on the top of the altar of Zeus Herkeios, with white hair and beard, long purple chiton and embroidered himation, left hand raised in supplication to Neoptolemos, who stands over him to right. The latter is bearded and fully armed, with short embroidered chiton and Boeotian shield, and in right hand holds Astyanax by the right leg, about to hurl him on the ground; Astyanax is nude, and is represented on a small scale. Behind Priam is Hecuba to left, with long hair, fillet, long chiton, and diploidion, right hand raised to tear her hair, left extended in supplication. Behind her are two bearded figures, one moving to right, nude, looking back, the other has a fillet, long chiton, and striped himation. On the left is Andromache to right, with long hair, long striped chiton and diploidion, both arms raised; by her side a nude youth with long hair, running away to left and looking back (perhaps Polites). (b) Contest of Theseus and the Minotaur: Theseus to right, bearded, with long hair, cuirass, short chiton, and sheath at side, holds the Minotaur round the neck with left hand, and plunges sword into him. The latter has a bull's head, and kneels on one knee to right, looking to left, with stone in left hand; blood flows from the wound. On either side, looking on, is a female figure with long hair, fillet, long chiton tied at the waist and himation, and a nude youth with hair tied in a club. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
6. Cassandra?
- Description
- Pottery: red-figured neck-amphora. (a) Ajax seizing Cassandra (?). In place of the Palladion is an archaic image of Apollo, in the form of a long-haired, beardless youth, en face, with hands at sides and feet close together, a black line drawn horizontally across the waist; this figure stands on a square base, resting on a plinth on the left. Cassandra, in sleeved chiton with apoptygma tied, and himation over her shoulders, with hair flying loose in long wavy tresses, has fled to the statue; and with one foot on the plinth she is in the act of throwing both arms around its waist, but is dragged back by Ajax, who, with right foot raised, has seized her with his right hand by the hair. He is bearded, and has a helmet tilted back, shield (device, a lion in silhouette, springing to left), spear, and greaves decorated with spirals. Beneath his shield hangs an end of drapery which is not shown elsewhere. (b) Bearded man in himation, standing to right, resting right hand on a staff. Late stage of strong style. Brown inner markings and (very light yellowish) for hair of Apollo. Eyes of Apollo of archaic type. Greater part of figure of Ajax destroyed, only the head, right arm and shoulder, right knee and calf of leg being preserved, though the outline of the rest remains. Below a, sets of three maeanders separated by dotted crosses; below b, key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Terracotta figure of Nereid sitting on the arching tail of a hippocamp that moves to viewer's right, she is holding a large Corinthian helmet in her arms, modeled in great detail. Orange clay, white coating, rose-madder on tail, red on hair of Nereid, blue on hippocamp's body. Thetis riding on a sea-horse, holding the helmet she will give to her son Achilles. --The British Museum, Burn, Lucilla; Higgins, Reynold; Walters, H B; Bailey, D M, Catalogue of Terracottas in the British Museum, I-IV, London, BMP, 1903
- Description
- Pottery: black-figured amphora: the death of Priam; Priam is being battered to death with the body of his grandson Astyanax. Designs in black on red panels with interlacing lotus and honeysuckle pattern above. The sides of the handles are chequered black and red. (a) Death of Priam: In the centre is Priam fallen to right on his back on the top of the altar of Zeus Herkeios, with white hair and beard, long purple chiton and embroidered himation, left hand raised in supplication to Neoptolemos, who stands over him to right. The latter is bearded and fully armed, with short embroidered chiton and Boeotian shield, and in right hand holds Astyanax by the right leg, about to hurl him on the ground; Astyanax is nude, and is represented on a small scale. Behind Priam is Hecuba to left, with long hair, fillet, long chiton, and diploidion, right hand raised to tear her hair, left extended in supplication. Behind her are two bearded figures, one moving to right, nude, looking back, the other has a fillet, long chiton, and striped himation. On the left is Andromache to right, with long hair, long striped chiton and diploidion, both arms raised; by her side a nude youth with long hair, running away to left and looking back (perhaps Polites). (b) Contest of Theseus and the Minotaur: Theseus to right, bearded, with long hair, cuirass, short chiton, and sheath at side, holds the Minotaur round the neck with left hand, and plunges sword into him. The latter has a bull's head, and kneels on one knee to right, looking to left, with stone in left hand; blood flows from the wound. On either side, looking on, is a female figure with long hair, fillet, long chiton tied at the waist and himation, and a nude youth with hair tied in a club. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured neck-amphora. (a) Ajax seizing Cassandra (?). In place of the Palladion is an archaic image of Apollo, in the form of a long-haired, beardless youth, en face, with hands at sides and feet close together, a black line drawn horizontally across the waist; this figure stands on a square base, resting on a plinth on the left. Cassandra, in sleeved chiton with apoptygma tied, and himation over her shoulders, with hair flying loose in long wavy tresses, has fled to the statue; and with one foot on the plinth she is in the act of throwing both arms around its waist, but is dragged back by Ajax, who, with right foot raised, has seized her with his right hand by the hair. He is bearded, and has a helmet tilted back, shield (device, a lion in silhouette, springing to left), spear, and greaves decorated with spirals. Beneath his shield hangs an end of drapery which is not shown elsewhere. (b) Bearded man in himation, standing to right, resting right hand on a staff. Late stage of strong style. Brown inner markings and (very light yellowish) for hair of Apollo. Eyes of Apollo of archaic type. Greater part of figure of Ajax destroyed, only the head, right arm and shoulder, right knee and calf of leg being preserved, though the outline of the rest remains. Below a, sets of three maeanders separated by dotted crosses; below b, key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Reclining on a couch, an older balding man tilts his head back and sings, accompanying himself on the lyre. Several features of the scene, such as the couch, the pillow, and especially the wreath the man wears, reveal that he is a participant at a symposion or drinking party. Many Greek vases, especially elaborate cups, were designed for use at such parties. Therefore, vase-painters frequently decorated these vessels with scenes of revelry and drinking. The circular area or tondo on the interior of a cup presented problems for Greek vase-painters. It was difficult to fit upright figures in this limited, curving space. Artists devised different solutions for this problem: some drew a line across the circle to create an artificial ground-line for their figures. On this vase, Epiktetos came up with a creative solution. He drew a line across the circle but made it the man's couch, rather than a ground-line. The edge of the man's mantle slipping down behind and below the line, creates the impression of depth and space. Epiktetos also used the circular frame of the tondo as part of the composition: it supports the man's pillow, and he props his foot on it. --J. Paul Getty Museum ; Bareiss Loan Number: S.80.AE.252
