Oregon Percent for Art

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	Title:	Notes:

1.	Radiant Flux II	You may access a pdf campus map at http://www.oit.edu/adx/aspx/adxGetMedia.aspx?DocID=4420,2,1,Documents&MediaID=1783&Filename=CampusMapFinal.pdf

2.	view 9	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

3.	view 10	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

4.	view 11	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

5.	view 12	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

6.	view 13	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

7.	view 14	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

8.	November Sprinter	The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

9.	O-OH

10.	O-OH

11.	Six Whimsical Owls	You may access a pdf campus map at http://www.oit.edu/adx/aspx/adxGetMedia.aspx?DocID=4420,2,1,Documents&MediaID=1783&Filename=CampusMapFinal.pdf

12.	Six Whimsical Owls	You may access a pdf campus map at http://www.oit.edu/adx/aspx/adxGetMedia.aspx?DocID=4420,2,1,Documents&MediaID=1783&Filename=CampusMapFinal.pdf

13.	Paperwave

14.	Paperwave

15.	view 1 (work in process)

16.	view 2

17.	view 3

18.	view 4

19.	view 5

20.	view 6 (installed artwork)